• bobs_monkey@lemm.ee
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        2 days ago

        If that were the case, he’d have to be advocating for the elimination of a particular group of people from society, while also displaying a gesture of “my heart goes out to you.”

          • bobs_monkey@lemm.ee
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            2 days ago

            No no, it’s terrorism when an unauthorized individual says it, not someone within the government or above a certain net worth.

      • macniel@feddit.org
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        2 days ago

        indeed, depending on how lax you are when it comes to privacy and how much personal data you’ve put on the platform owned by one of the klepto-facists that dude could doxx you.

    • UnderpantsWeevil@lemmy.world
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      2 days ago

      post an angery tweet aimed at your base constituency on the platform owned by one of the klepto-fascists.

      This. Is. What. The. American. People. Voted. For.

      Now, if you’ll excuse me, I need to try and beg some crypto-degenerates for a cup of money to fund my “I’m a former ICE Agent with a strong Pro-Life record who thinks Donald Trump is weak on the border and abortion” liberal Senate campaign in a purple state.

  • Microw@lemm.ee
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    1 day ago

    People could start saying the names out loud of those government workers who have refused illegal (or grey area) orders from the White House, Musk’s “DOGE” or similar and have been fired within the last week. Those people actually stood up ‐ even if it didnt do anything in the long run, it showed opposition to these clowns.

  • CaptDust@sh.itjust.works
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    2 days ago

    Today we’re going to discuss the implicit allegories Tommy Wiseau has woven throughout film and cultural phenomenon, The Room. Let’s begin by directing our attention to the critiques of modern US imperialism depicted in this scene. Here we see four grown men, wearing expensive formal attire, casually playing football in an alley…

    • macniel@feddit.org
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      2 days ago

      what is the allegory of Johnny tackling Peter who then trips and falls down in a hilariously slow motion in that scene?