I heard about C2PA and I don’t believe for a second that it’s not going to be used for surveillance and all that other fun stuff. What’s worse is that they’re apparently trying to make it legally required. It also really annoys me when I see headlines along the lines of “Is AI the end of creativity?!1!” or “AI will help artists, not hurt them!1!!” or something to that effect. So, it got me thinking and I tried to come up with some answers that actually benefit artists and their audience rather that just you know who.
Unfortunately my train of thought keeps barreling out of control to things like, “AI should do the boring stuff, not the fun stuff” and “if people didn’t risk starvation in the first place…” So I thought I’d find out what other people think (search engines have become borderline useless haven’t they).
So what do you think would be the best way to satisfy everyone?
Universal basic income.
EDIT: I feel I need to clarify this stance. I’m a game developer, and I’m also sometimes an artist. I’ve been in discussions with my artist friends and they’re of the belief that AI is the enemy. I don’t believe that, but I also don’t blame them; artists’ careers are being displaced by AI, so of course they are justified in directing their anger at the immediate threat to their livelihoods. As for the ethical/legal quandary about AI art models being trained on publicly-available copyrighted images, well, I think that’s more of a grey area that I should not delve into right now.
AI art is inevitable, and there is no feasible way to slow it down, let alone stop it; even if the developed Western world decide unanimously to ban AI art, black markets for AI art models would still exist, and it would give Eastern countries (okay, mainly just China) the opportunity to really corner the market and further develop that technology for (nef)various purposes.
Every industry succumbs to automation sooner or later. I mean, it makes perfect economic sense to adopt automation to replace the existing workforce; robots don’t need to get paid. However, normally, when automation is introduced into an industry, the pace at which that technology is developed and implemented is slow enough for displaced workers to be able to learn new trades and pick up new careers before they, well, go broke.
The issue is that in this era of information, this AI technology is developing far too fast for that to happen, and couple that with the ever-increasing greed in today’s capitalism that ensures workers (including artists) are working long hours and are being paid barely enough to survive; they don’t have the time, energy, or funds to learn new trades or adapt to other creative endeavours that haven’t been taken over by AI yet.
We need a return to an era where art is not a method of livelihood, but rather an admired craft, simply for the purposes of art; that also comes with the extra bonus of lowering the worth of AI art. For all that to be possible, artists first need a way to stop worrying about having to make money to be able to afford food and housing.
That’s where UBI comes in. Again, capitalism, the richest 1% hoarding 50% of the world’s wealth, yada yada, just tax those rich fucks and give that money to everyone; boom, UBI. Once artists (and workers in general) no longer have that threat of starvation, 1. they can take all the time they need/want to learn new crafts and careers, 2. they can force corporations to offer workers better treatment and pay, especially when they can afford to quit toxic work environments.
I think if capitalism wasn’t involved in how AI evolves, we would be in a much better place. The fact that the first question about any tech is “how can we make money with it?” Already starts down a different path.
Seems like since we can’t solve that fundamental issue, best next bet is to learn to welcome AI into our lives in ways that enrich it. Use it to augment your work - alternatively, maybe start learning and specializing in things that are (for the time being) out of reach for AI. Human services that require another human or hand made high quality items where the purchaser is specifically interested in the hand made aspect.
Can’t say I have a perfect solution, other than to stay curious and adaptable to change.
This is a big part of the issue.
The truth is that most artists would still make their art if they didn’t make money off of it provided that they are ensured basic necessities and enough time.
The whole idea of AI art would be much easier to brush away as a non-issue for many artists if it didn’t immediately pose the question of “how is this going to affect my ability to live?”
I wholeheartedly believe this too. There’s something so amazing about the feeling of creating things with your own hands and seeing what the rest of the world says about it. But the moment you rely on this to literally not starve, any unfairly advantaged competition becomes that much more dangerous.
Yes, indeed. And, in fact, it would probably make them happier if the bullshit commercial art that’s bereft of meaning - a subset of commercial art, to be clear - was no longer something they had to concern themselves with in order to pay the bills.
If they - and the rest of us - could be granted the dignity of a good and comfortable life while perusing projects that were personally fulfilling, then there’d be little issue. But instead, their work is being used not only to line the pockets of investors and a handful of tech enthusiasts with the right connections (generative machine learning models aren’t that hard for anyone with some programming skills and basic linear algebra to develop, the magic is in the money), but to directly undercut their paid work. And that’s just not going to fly.
I went to art school, and I distinctly remember people talking about art being one of the few things that was safe from AI. “They’ll have computers driving cars and doing office management but they can’t do anything creative so it’s going to be a good time to be an artist” and so on.
I guess you could make the argument that they’re not really being ‘creative’ right now, but if the output is good enough for large amounts of the general public then it’s still just as damaging for artists I think.
We have an art director at the corp I work for who is basically automated out of a job now. She is near retired and on good terms with the CEO so they will probably let her wrap up and not replace her.
Of course she still hasn’t figured out how to use the new label maker, update the website, or use AI art generation so that has fallen to the rest of us.
AI needs data to train up on. It can’t create art without first consuming existing art and spitting out parts of the originals. There’s a reasonable claim to be made that AI synthesis of prior art is itself original enough to count as having intrinsic worth, but if the only way to get it is stealing other people’s work to train up your model, the whole value proposition of AI art is probably net negative, entirely at the expense of artists whose work was used to feed the model.
Yes, there’s the argument that automation of new things is inevitable, but we do have choices about whether the automated violation of copyright to feed the model is tolerable or not. Sure, it’s a cool sexy technology and who doesn’t love getting on the bandwagon of the future and all, but the ethics of modern AI development are trash and despite promises that automated AI labor will save the owner class money by doing for free what the plebes demand to be paid for, it’s really as much a ponzi scheme as all those crypto currencies that don’t have intrinsic value unless enough suckers can be convinced to feed the scheme.
And yet, it’s a powerful technology that has potential to be a legitimate boon to humanity. I’d like to see it used to do things (like picking crops that are hard to automate with dumb machines, or cleaning trash off of beaches or out of the ocean, or refactoring boilerplate code to not use deprecated packages or to review boilerplate contract text for errors) that aren’t just ways for owners to cut labor out of the economy and pocket the differences.
Perhaps, if we are going to allow AI to be a great big machine that steals inputs (like art, or writing, or code) from others and uses them to do for-profit work for their owners, the proceeds attributable to AI ought to be taxed at a 90%+ rate and used to fund a Universal Basic Income as payment for the original work that went into the AI model.
I’m an artist - I tattoo, do freelance illustration and produce handmade pottery. My husband is also a tattoo artist. My entire income is made through art.
I have stopped attempting to draw coloring books - AI “prompt artists” have taken over and are pumping out grayscale coloring books at extremely low prices. Not a high income producer for me in the first place, but the entire field is falling apart.
Tattooing is a different story - I use AI to produce references regularly. Not full drawings, just references I can use to create my own drawings. Pottery remains unchanged.
The obvious difference is the type of art. The further it moves from a drawing, the better the outcome when AI is involved from my POV.
To be honest though - how many of you actually have real artwork in your house? Not prints - actual handmade art. Art has been struggling for a long time now - it has little value to the average consumer. Mass production has made it a throwaway product. Most ceramics are made by machines now - vases and “paintings” and dishes are all isles in a home goods store, stamped out and inked by a machine. Most professional artists are employed by companies, not off selling their art. I don’t really need to spell out what will happen when the company gets a hold of a free program to replace their artists.
There isn’t a good outcome for artists here - consumers want cheap art. Companies want cheap artists. Artists want living wages and for a lot of us that means not making a living off of art already, because the wealthy class that has luxury money to spend on handmade and original art is shrinking as we speak.
At least - it is here in America.
it has little value to the average consumer.
The average consumer can’t afford it. I can’t afford to pay a living wage for 40-80 hours worth of work to put on my wall.
The same debate happened when photography was invented. Photography led to some of the most iconic art movements of the 20th century and the deliberate departure from more realistic paintings, because nobody needed to hire a painter or sketch artist just to remember what someone looked like anymore.
My expectation is that AI will continue to be used to generate what has already been identified as particular styles. And these styles will go out of fashion with overuse, much like the 50’s was oversaturated with mass produced designs. Which led to pop art.
Tl;dr It’s all just part of the creative development of humans and our adaptation to automation. If we want to address why artists starve, AI in art is only a symptom of a much larger issue around human worth.
I strongly agree with the comparison to photography. People like Man Ray and David Hockney opened doors to new art impossible before photography. And it did not eliminate drawing, painting and similar arts. It did force some change upon them, though. It seems that we have discovered something like a new art form. That should be exciting. It will certainly be uncomfortable
The AI has particular styles because the current AIs are trained in a particular way. As we go further, there is no reason to assume that AI would not be able to copy/mimic any stile. While photography is distinguishable from painting, the AI painting can be indistinguishable. That’s, I think, is fundamental difference.
A painting can be distinguished from a photo from its physical dimensions and attributes like texture. If I take a photo of a painting, almost nobody is going to file a court case against me for putting it in a book or website or tv. We’re collectively ok with that level of reproduction.
An AI work can currently be determined by looking for ‘errors’ that aren’t likely to be drawn in by artists or found in reality. Inconsistent shadows, exact repetition of organic pattern details, extra limb bits, doesn’t construct language fluently, etc. We’re not necessarily ok with that level of reproduction though because it is slightly less obvious at first glance.
Just like photos are a lossy format for paintings, AI is a lossy reproduction tool. While it will definitely be harder to distinguish with time, we’re sort of still left with the core problem. What fidelity reproduction is necessary for something to no longer be original? And what does the originality actually matter when people don’t need to rely on producing it to eat?
Hell, people even bought NFT apes with cut and pasted Mr. Potato Head parts for thousands. People have photocopied photos of the Sistine Chapel in books for close to free. Maybe it’s just cool that the imagery is resonating with people regardless of the medium.
Also, we should feed people without the expectation of financial return, thanks for coming to my tired tedx talk.
Focus on physical art. Sculpture, screen prints, paintings on canvas, mixed media, etc.
Trying to stop progress has never worked. Sure, there are regulations that should be put in place, but putting the genie back in the bottle isn’t going to happen.
I mean there is an actor and writer strike for this reason and more. AI is not art. While it’s true that art is subjective its also supposed to invoke emotion and get a person to think. Not that AI art can’t do that, but it’s not the same.
I think AI art is great for first concepts, practice, really anything but the end result.
some art is meant to get you to think
some art is meant to fill a gap on a walli don’t think a poster from ikea is meant to get you to think. a live laugh love slogan isn’t even creative (any more; maybe the first one was?)
there’s lots of things that visuals are meant to do, and get you to think is just 1 of them
As another user pointed out, as long as capitalism has control, there will be no good solution.
I think about it this way: does knowing art is AI generated take away from the experience?
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If the answer is yes, then it simply will never take over. As long as we have some sort of law that requires art to be tagged as AI if it’s AI generated, then I think that would be enough. No need to tag original (human) art with anything, no need for that kind of surveillance, just tag AI art or make companies legally required to divulge if it is so.
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If the answer is no, then I think this is just the natural progression of things. There will always be artists, and there will always be people that want their art to be made by a person. But if most people really don’t care if there’s a person behind the brush, then it doesn’t matter if it’s AI or not.
I don’t think anyone has a right to what they do. If you’re an artist, that’s all good, but if your art isn’t appreciated, if people prefer AI over your art, then why should we block AI? Just so you can keep making money off your drawings? There’s other things you could be doing… Once again capitalism makes it so that hobbies can’t just be hobbies, “if you’re not making money you’re failing”, so this isn’t a very satisfying perspective, but the reality is that you don’t need to be just an artist, you can have a job and draw for fun, post things online, etc.
Ideally, we tell capitalism to fuck off. We already produce enough to feed, clothe, house, and heal all of the world, we don’t do it only because the oligarchs choose not to, as it’s not profitable. If we set up a system that actually makes use of the value generated by labour, instead of letting the 1% hoard it, then AI would not be threatening any job security, and it wouldn’t be stifling creativity or anything, it would just be a tool.
There is the issue of copyright though, since original works are used to train AI. That whole debacle is a can of worms that I will not open.
There is the issue of copyright though, since original works are used to train AI. That whole debacle is a can of worms that I will not open.
You had some great points, but then glossed over the biggest issue we have, as artists, with AI. People’s entire portfolios were scraped to train these things without their permission.
First thing I learned in art school is that theft and forgery are the most lucrative careers in the arts. (In hindsight, maybe a red flag there.) If an AI developer came into an artist’s studio, grabbed all their paintings and ran out, you can clearly see that’s theft. Just because the art theft is automated and largely unseen, doesn’t mean it isn’t still theft. People don’t like having their life’s work stolen from them.
Generative AI could have been a great artistic tool, but it’s been tainted for a lot of artists by the blatant, egregious theft at its very core.
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So what do you think would be the best way to satisfy everyone?
Your barrel of thoughts is not wrong: current AI is just a tool, if people were already satisfied in their life they wouldn’t be bitching about it but unfortunately everyone is struggling and competing to pay rent or make a living or worst to stack money to compensate to their dissatisfactions.
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You’re aware that what we call “AI” these days can only, at its theoretical best, reach what already exists and not surpass it?
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Maybe training images should only come from consenting artists and photographers